![]() ![]() Then, I don’t know what the other one is, The Bad Lieutenant: Port of Call – New Orleans, I liked him there, Vampire’s Kiss. I really loved it and I was very fascinated by his role, I was just a kid. Well, when I was really young, I got moonstruck by Moonstruck. What are some of your favorite films by him and do you think that he’s delivering one of his “special” performances? Because you know the way he-you know. What’s it like going from a film like The American, with very long, stately camera moves, very still film, to a movie where you’ve got guys on rollerblades with the cameras and things, shots flying all over the place?Ĭan you talk a little bit about working with Nic Cage. The casting was interested in me because I had come out with The American, so they knew of my existence and they wanted to see me, so I sent the tape to them. Placido: I just did a self-take from Italy. It’s more about knowing how to live in the streets. So yeah, that kind of comes into that, but we don’t really see her coming from a Gypsy family or bringing too much of that into the character. When she was with Carrigan, it would be getting money in strange ways, drug dealing and stuff like that. Violante Placido: I think that the idea of her being a Rom just comes to me perceiving her as someone who has lived in the streets, a tough life, and maybe going around with a gang of people going for things. Question: So they gave us the indication that your character might be Rom, but might not be? Did you do any research into that culture at all? Or is it really more just off the script? ![]()
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